Starting in the '80s and lasting until the year 2001, one of America's largest national
anime clubs began in America's smallest state. This club would last the longest, have the widest reach, and the largest
membership of any national anime fan group... and you might not have
ever heard of it. For fifteen years Anime Hasshin published a regular
newsletter full of artwork and articles, connected fans with
tape-trading volunteers spreading the VHS wealth, and even had a few
meetings here and there. Stretching from the VHS days to the
Bittorrent era, Anime Hasshin's influence on anime fandom has few
equals and was largely the work of one person, founder Lorraine
Savage. I caught up with Lorraine recently and she answered a few
questions about the club.
In
1986 I discovered anime by watching Cat’s Eye episodes in straight
Japanese at a local Boston convention. I had never seen anything like
it. I also learned that the afterschool show Star Blazers that I
liked so much was actually the translated version of Japan’s Space
Cruiser Yamato. Through other fans I heard about the C/FO, and then I
attended the 1986 Atlanta Fantasy Fair where I met the wonderful
folks Dave Merrill, Lloyd Carter and Jeff Roe who helped me get
information about anime and gave me the encouragement to start my own
club in Rhode Island. At the Atlanta Fantasy Fair in the anime room,
people filled out a mailing list if they wanted to join the anime
club. After reading the list, Dave called out incredulously, “Who’s
here from Rhode Island??”
In
1986, North American anime fandom was in transition. Small groups of
anime fans met in cities throughout America with only the loosest of
connections. The C/FO (Cartoon Fantasy Organization) was changing
from its California based leadership and Florida based publications
team to administration by Texas fans. The Star Blazers Fan Club had
published its last newsletter in 1984. The Battle Of The Planets Fan
Club had not published a newsletter since 1981. The Earth Defense Command in Dallas was actively publishing their fanzine NOVA, but it
was appearing sporadically at the time (only one issue would appear
in 1986). The anime fan organizers inspired by Astro Boy, Battle Of
The Planets,
and Star Blazers were becoming overwhelmed by the popularity of
Robotech and the subsequent wave of new interest in Japanese
animation this new show inspired.
In
those days it was very difficult to get information about anime and
manga because everything was in Japanese. There was very little in
the way of translations and no fan subtitles yet. I couldn’t find
what I was looking for so I started a club for people who could share
the information they could get. I had a journalism degree so
publishing a newsletter was an easy solution for me. Originally
called Hasshin RI (for Rhode Island), the club began in January 1987
with The Rose #1 at 10 pages.
Hasshin
RI would begin with local meetings and a newsletter. The Rose would
start off as a bi-monthly but soon became quarterly. A typical issue
would run around 36 pages and include manga reviews, translations of
interviews with anime producers, news of upcoming comics releases
from Viz, Eternity, Dark Horse, and Antarctic Press, what was coming
up in future issues of Animerica, Mangajin, and Anime UK, news of
upcoming anime TV series coming to the American market, Anime Hasshin
anime poll results (favorite show as of April 1993 – Ranma 1/2),
overviews of anime shows like Galaxy Express 999 or Heroic Legend Of
Arslan, reviews of translated and Japanese-language manga, translated
song lyrics, convention reports from various SF and anime
conventions, and classified ads from Kimono My House, Stratus Pagoda,
Trans Pacific Laser, Nikaku Animart, Laser Perceptions, and the
Brain/Wash Network, as well as a yearly humor supplement called “The
Thorn.”
Found throughout every issue would be spot fan illustrations from
artists like Widya Santoso, Johnathan Luce, Robert DeJesus, Dan
Kellaway, Akito Tanemura, Lester
Swint, Shaindle Minuk, and many many others. Convention coverage included
Otakon, Dragoncon, Atlanta Fantasy Fair, Arisia, and the ill-fated
Tezuka Awards handed out at Anime East's last convention.
Hasshin
RI/Anime Hasshin came into being at a time when the leadership of
several extant anime clubs were feuding with each other, and from the
start Lorraine was adamant that Anime Hasshin would not be a chapter
of any national organization, but it would be its own independent
club. Subsequent attempts to involve AH in the fan politicking
endemic to the scene failed, and Anime Hasshin outlasted most of
these clubs by a fair margin.
The
first meeting was in 1986 in my apartment with four local friends. We
watched Queen Millennia, Endless Road SSX, and Lupin III Mystery of
Mamo. When the local club in Rhode Island got bigger we had monthly
meetings at a library and at a bank’s meeting room for a few years.
It drew attendees from as far away as Boston, and we usually had
about 4 to 8 people attend.
Peak
Anime Hasshin membership was 404 members from 14 countries on 6
continents, including Canada, Mexico, Japan, Malaysia, Brazil, South
Africa, Australia, Poland, Germany, and England.
An
important part of Anime Hasshin was its Tape Traders List; the club
maintained a list of volunteers who were willing to copy anime from
their collection for other Anime Hasshin members. I believe the first
iteration of the list even included people willing to copy Beta
tapes and PAL format videos. In the 1980s many anime fans would only copy their tapes in
exchange for copies of other shows, which left new fans without many
options to acquire new Japanese animation. The Anime Hasshin tape
traders list featured addresses of dozens of fans who volunteered to
copy items from their own collection for anyone who sent a blank tape
and return postage. There were dozens of people on the list, all with
widely varying collections, so no one trader got overwhelmed with
requests (as frequently happened with local clubs) and anime fans in
out-of-the-way places, without local clubs or conventions, could
experience Japanese animation.
 |
| list of synopsis packets available for the language-impaired |
Another
valuable print-media service AH provided was their synopsis packets.
Translations, episode guides, film synopses, and character guides
culled from APAs, convention guides, out of print zines, and official
sources were available for the cost of photocopying; at least 10
different packets of information were available giving
language-impaired nerds a chance to figure out what was going on in
Orguss, SPT Layzner, Saint Seiya, Dangaio, Amon Saga, Dagger of
Kamui, and dozens of other anime titles. The Rose itself was printed
in black and white on standard 8.5 x 11 copy paper, with a colored
sheet for the cover, and with two or
three staples
holding it all together.
 |
| Anime Hasshin highlights from The Rose #50 |
I
used a desktop publishing program to lay out the newsletter and
Kinko’s to print and collate it. I labeled and stuffed envelopes
myself. I got a bulk mail account at the post office to save money on
postage. I was fortunate that I never had to worry about getting
enough contributions. For every issue, I had numerous members sending
me articles, reviews, artwork, games, classified ads, etc. That’s
why there was so much variety in the newsletter. I just let people
send whatever they wanted; the only rules were it had to be
anime/manga related and no X-rated stuff. People loved to see their
work published in The Rose. The Rose’s
page count reached a high of 44 pages.
 |
| The Rose covers NASFIC & Otakon |
In
the late 1980s, Japanese animation fandom was venturing online with
messaging systems like the newsgroup rec.arts.anime, a text-based
platform accessed via university computer networks, volunteer-run BBS
systems, or through services like GEnie, Compuserve, or AOL. The
first webpage appeared in the early 1990s, inspiring fans to create
pages about their favorite shows, and the Anime Web Turnpike went
live in 1995, collecting links to these websites. Sailor Moon began
airing on US television the same year, and in 1998 the Pokemon TV
anime would have its American debut; both shows inspiring new
generations of anime fans. By the late 90s anime fans could enjoy
DVDs purchased at Best Buy or Suncoast, share anime via peer-to-peer
computer networks, and get their anime news from the Anime News
Network website. Anime conventions would pop up in every major
American city by 1999, giving fans across the country somewhere to go
to get their anime fix for at least one weekend. By the end of the
decade anime fandom was thriving, above and beyond the 1980s “fan
club”
model. Throughout
this entire period of growth, Anime Hasshin connected anime fans,
covering the new anime conventions, detailing new shows, and giving
fans an outlet for communication, reviews and artwork.
Interesting
observation: In the 1980s, anime fans felt lucky when VCRs came into
use. We could trade copies, and fans made subtitles. We had it made.
Then later, when video stores started selling anime, we were
astounded to see a whole section devoted to anime with rows and rows
of videos. We felt we had paved the way, and that the professional
production companies had discovered that there was a market for
anime.
 |
| I think Nikaku Animart is still at the same location |
The
last issue of The Rose was #66 in October 2001 after 14 years of
publication. It was a sad farewell as membership declined, but with a
promise of Anime Hasshin still existing but moving to a website.
However, I had been laid off from my job a year earlier and the club
just ended. People were turning to the Internet to get more and
faster information.
There
was surprisingly little controversy over Anime Hasshin and The Rose
(if there was, I didn’t hear about it). I always got the newsletter
out on time, and people got what they paid for. I was very proud to
accept awards on behalf of the club: Outstanding Fan Publication from
ChibiCon 1993, Best Anime Fan Club from AnimEast 1994 & 1995, and
Best Anime Newsletter from AnimEast 1994 & 1995.
I
had a blast making the award-winning anime fan videos “My
Euthanasia” and “What’s New Pussycat.” When someone saw the
murder and mayhem in “My Euthanasia,” he said, “Sweet little
Lorraine made that?!” to which someone else told him, “You don’t
know her very well, do you?”
One
of the funniest moments I can remember from fandom was at Otakon 1995
or ‘96. A bunch of us were sitting around tired late one night and
we were just staring down at the hotel’s floor, and we happened to
notice that the pattern in the carpeting looked exactly like the face
and rabbit ears of Ryo-Ohki from Tenchi Muyo. We couldn’t stop
laughing! I also remember how excited people were at the first
AnimeCon in 1991 in San Jose. It felt like we hit the big time with a
big convention with Japanese guests. Anime fans and pen pals got to
meet each other face-to-face and cosplay and mingle. One of the
geekiest moments for me was meeting the voice actors from Starblazers
at I-Con on Long Island in 2010: Amy Howard (Nova), Eddie Allen
(Desslok), and Tom Tweedy (Mark Venture). Just before Allen got up to
speak on the panel, a bunch of us started chanting, “Desslok,
Desslok, Desslok!”
I
really enjoyed running Anime Hasshin and publishing The Rose. I met
so many nice people who enjoyed sharing their love of anime and
manga.
Thanks
again to Lorraine for sharing the story of Anime Hasshin!
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