Back in 1984 my family went on a vacation trip to Philadelphia, which for me meant visiting comic book stores and watching Starblazers and Force Five on "Philly 57" in the hotel room. It also meant my first look into the world of free urban weekly zines, the mere sight of which impacted my youthful consciousness in ways that have not quite yet finished bouncing around my brain-pan.
REAL FUN was a shock: a cheap newsprint thing full of badly toned photographs, ugly comics, cut and paste typesetting, one or two colors somehow making the whole package look CHEAPER than if it was just black and white. Handwritten columns were next to primitive Macintosh typesetting. Ads for independent punk rock labels, record stores, and head shops coexisted with strips by Peter Bagge, Dennis Worden, Bill Griffith, Spain, the mysterious XENO, Henriette Valium, and other future stars. Fake news articles, anti-McDonalds editorials, and a general contempt for Reagan's America made REAL FUN authentic subversive literature for this suburban kid. What else did REAL FUN have? Japanese cartoons!
This article by D.M. Kister and F. Couch continued across two issues and not only was it filled with amusing typos and blatant editorializing, it was living proof of my firm conviction that Japanese animation was a vital element of America's mass media zeitgeist, that it had a place at the trash-culture table along with comic books, Pez dispensers, the 45 single, and late-night diner food.
As it turns out Mike Kister had a business selling Japanese animation books and magazines so I suppose there was an ulterior motive behind this article.
Remember, this was a time before businessmen even considered the idea of selling Japanese cartoons to America as anything but edited, dubbed syndicated children's television. The thought that there might be something worthwhile in these robot cartoons... that the degree of artistry and design in your Macross or your Nausicaa might be of interest to more than sugar-addled 8-year olds... this was SUBVERSIVE THOUGHT in 1984.
Was Japanese animation as transgressive as the "Ugly Comics" of Atlanta's own "Baby Sue"? Only "Bob" knows for sure. Memorize his predictions for 1985!
And if "Bob" can't heal you through slack, your only hope is Fred Lane And His Hittite Hot Shots.
You doubt the convergence of underground culture and Japanese cartoons? You fool! Perhaps this "Dead Planet" comic strip will convince you with its clip-art Unico.
Also in REAL FUN: this ad for the WCC Animation Comics STAR BLAZERS.
The day of the free ad-zine might be over, but that doesn't mean I don't miss the punk-rock typography or the casual thrown-together design. If I had my way ALL magazines would look like this, which probably explains why I failed Graphic Design. There just wasn't room in the future for this kind of breezy insolence that can't help being REAL FUN.
REAL FUN was a shock: a cheap newsprint thing full of badly toned photographs, ugly comics, cut and paste typesetting, one or two colors somehow making the whole package look CHEAPER than if it was just black and white. Handwritten columns were next to primitive Macintosh typesetting. Ads for independent punk rock labels, record stores, and head shops coexisted with strips by Peter Bagge, Dennis Worden, Bill Griffith, Spain, the mysterious XENO, Henriette Valium, and other future stars. Fake news articles, anti-McDonalds editorials, and a general contempt for Reagan's America made REAL FUN authentic subversive literature for this suburban kid. What else did REAL FUN have? Japanese cartoons!
This article by D.M. Kister and F. Couch continued across two issues and not only was it filled with amusing typos and blatant editorializing, it was living proof of my firm conviction that Japanese animation was a vital element of America's mass media zeitgeist, that it had a place at the trash-culture table along with comic books, Pez dispensers, the 45 single, and late-night diner food.
As it turns out Mike Kister had a business selling Japanese animation books and magazines so I suppose there was an ulterior motive behind this article.
Remember, this was a time before businessmen even considered the idea of selling Japanese cartoons to America as anything but edited, dubbed syndicated children's television. The thought that there might be something worthwhile in these robot cartoons... that the degree of artistry and design in your Macross or your Nausicaa might be of interest to more than sugar-addled 8-year olds... this was SUBVERSIVE THOUGHT in 1984.
Was Japanese animation as transgressive as the "Ugly Comics" of Atlanta's own "Baby Sue"? Only "Bob" knows for sure. Memorize his predictions for 1985!
And if "Bob" can't heal you through slack, your only hope is Fred Lane And His Hittite Hot Shots.
Remember, the wing tip of destiny casts no shadow.
You doubt the convergence of underground culture and Japanese cartoons? You fool! Perhaps this "Dead Planet" comic strip will convince you with its clip-art Unico.
Also in REAL FUN: this ad for the WCC Animation Comics STAR BLAZERS.
The day of the free ad-zine might be over, but that doesn't mean I don't miss the punk-rock typography or the casual thrown-together design. If I had my way ALL magazines would look like this, which probably explains why I failed Graphic Design. There just wasn't room in the future for this kind of breezy insolence that can't help being REAL FUN.
