After a year off ANIME WEEKEND ATLANTA returns to the Cobb Galleria Centre and the Renaissance Waverly Hotel for four days of Japanese anime fandom fun! It's all happening October 28-31 and you can find out all about the show - including COVID-19 policies - at www.awa-con.com which is and has been the AWA website for years. Hint, the policy is "get vaxxed" and "wear a mask at all times," thank you.
What's happening at the show? Events like the Video Art Track, the Super Happy Fun Sell, video rooms, videogaming, the Starlight Idol festival, the Kuma Kuma Maid Cafe, Anime Hell, panels, workshops, exhibits, AWA's cosplay contest, the giant vendors' hall and Artists Alley, tabletop gaming, and the Super Happy Fun Sell. Guests include voice talent Dante Basco, Khoi Dao, Chris Guerrero, Lisa Ortiz, Christina Vee, Austin Tindle, Derick Snow, Alejandro Saab, Faye Mata, Kyle Hebert, Eric Vale, and Roger Clark. Music guests include Kino, Meirlin, Shihori, ACME, James Landino, and MIYAVI. Fashion/cosplay artist guests include Baby The Stars Shine Bright, Thranduart, A7L props, Yarn Goddess Cosplay, Casey Renee Cosplay, and Sunlight Cosplay.
Carl Gustav Horn, the man who brought America Golgo 13, will also be at AWA representing Dark Horse Comics and their decades-long commitment to manga. Carl Horn has edited Fate/Zero, Oh My Goddess, Kurosagi Corpse Delivery Service, At The Mountains Of Madness, Banana Fish, Blood: The Last Vampire, Cardcaptor Sakura, Eagle, Eromanga Sensei, Mob Psycho 100, and something called Neon Genesis Evangelion.
Neil Nadelman will be bringing his Totally Lame Anime a-game to AWA with a new batch of terrible anime failures for your viewing pleasure. And Ryan Gavigan returns with anime parody dub late night fun with Midnight Madness.
![]() |
| artwork by @Jmanvelez |
Among other events, the Gunpla-jama party will be making its return to AWA this year! Be sure to mask and pajama up for some gunpla building fun on Friday night October 30th from 10:15 to 12:15 in room CGC 105!
What am *I* up to this year? Well, I'm back managing the SuperHappyFunSell Thursday night at 6pm in the Renaissance Waverly's Grand Ballroom. This event is a wild flea market as pre-loved anime goods pass from fan to fan, finding new homes.
AWA founders Lloyd Carter and myself are presenting the History Of AWA Friday at 3:30pm in room 103 in the Cobb Galleria Centre, taking a twenty seven year voyage back in time to the beginning of the convention - and beyond.
Anime Hell returns to AWA at 10pm on Friday in Main Events (Hall D, Cobb Galleria Centre) bringing the customary two full hours of short form Japanese animation and Japanese animation related nonsense to the audio/visual centers of your brain!
My First Anime takes a look at the Japanese cartoons that first hit us like a ton of bricks and made us fans, from the 1960s all the way to the 2010s, every anime was somebody's first anime, what was yours? Saturday at 10:15am in the Highlands Room in the Renaissance Waverly.
It's AWA's first year back after 2019 and we're hoping we can get the machine running safely, soundly, and successfully. See you in Atlanta!
-Dave Merrill
Thanks for reading Let's Anime! If you enjoyed it and want to show your appreciation for what we do here as part of the Mister Kitty Dot Net world, please consider joining our Patreon!
It's Summer Olympics time again and the world's athletes are sweating it out in Tokyo while the world watches... from home, because COVID-19 is still a thing and spectators aren't allowed into the games. Fans of Japanese animation have been making Akira references since the Games were announced, the news media has had fun misidentifing Odaiba's Gundam statue, and in general Japanese pop culture has been an inextricable part of these 2020/2021 games. But did you know evidence of a Japanese anime connection to the Olympics might just be all around you?
![]() |
| Now pitching for the Dodgers, Eagle Sam The Olympic Eagle |
![]() |
| Eagle Sam in April 1983's "My Anime" |
![]() |
| Eagle Sam and Canary |
If the human being characters sometimes look a little Lupin III-ish, well, that's no surprise, as character designer Yoshio Kabashima also worked on Lupin's second TV series. Sam has adventures around the town and around the world, but strangely enough, there's nary a pole vault or 100 yard dash or diving competition in sight.
![]() |
| one reason this show might not have made it to export |
![]() |
| Misha and friends and Moscow Olympics logo |
Misha's non-track-and-field adventures among the small-town animals are pretty typical kiddy cartoon fare for kiddy cartoons around the world, with the possible exception of episode 18. That's when Misha meets Kunta, the bear mascot of Hokkaido Television Broadcasting, who was named after Kunta Kinte, the star of popular HTB series "Roots." This mascot meeting of the minds might be the loudest echo of the Russo-Japanese War we'd seen in anime until 2018's Golden Kamuy.
![]() |
| Misha vs Kunta |
![]() |
| Eagle Sam merchandise found in America's antique malls |
![]() |
| hey buddy, they won't even let ME wear it |
Thanks for reading Let's Anime! If you enjoyed it and want to show your appreciation for what we do here as part of the Mister Kitty Dot Net world, please consider joining our Patreon!
As a former teenage anime club president, I spend a lot of time these days sitting on my porch in my rocking chair with my elderly cronies, sneering at the kids today with their hair and their clothes and their streaming video and their instagram influencers. Actually, I don't do any of that. Instead, occasionally I pull some stuff from my files and use that junk to write about our anime club experience. Like now!
The 1980s were tough for anime fans. Streaming video on the internet didn't exist. The internet pretty much didn’t exist. Funimation, Sentai, Nozomi, and Discotek weren’t around to sell us DVDs or Blu-Rays, which also didn't exist. Sure, there were video rentals on every corner, but their anime selections were limited to Ninja The Wonder Boy or Chatterer The Squirrel or Jim Terry compilations of super robot cartoons shoved into the kiddy section. If you wanted anime, you had to know somebody who had it and was willing to copy it for you. In practical terms, you either cultivated a network of Japanese pen pals with whom you'd trade off-air American TV for Japanese anime, or you bought bootleg anime videos from a dealer at your local comic-con, or you joined one of several anime clubs, hoping they’d put you in touch with somebody who'd copy tapes for you. It was a complicated process.
In Atlanta I'd been attending comic conventions and Dr Who club meetings since I was 14, trying to get a line on somebody who knew how I could get my hands on anything with those big-eyed Japanese cartoon characters. The people I met at those conventions and clubs were grownups from places like Florida and Michigan with tapes of Lupin III and Space Cobra, and most were members of something called the Cartoon/Fantasy Organization.
C/FO New York meeting flyer from 1980
There were two other guys in Atlanta also trying to find anime and find others who liked anime. Eventually we put our heads together and decided to start our own local branch of this Cartoon Fantasy Organization. We'd meet once a month in whatever community room we could reserve, we'd screen whatever anime we could find, and we'd generally nerd out. That was our plan and we're still kind of following that plan, some of us.
C/FO Atlanta newsletter 1,3,4,5 (#2 is lost)
For us in Atlanta, those two or three years of C/FO activity were busy times. We had a meeting once a month, we went to every comic con, Trek Fest, and fantasy fair that would let us in the door, and we were constantly meeting at somebody's house to daisy-chain VHS decks and copy Vampire Hunter D or Project A-Ko or some other future Blu-Ray release over and over again into the wee hours, at which point we'd adjourn to Denny's for bad coffee and heartburn.
C/FO Atlanta newsletter #6-8
C/FO Atlanta newsletter 9-12
tips for home tapers from July 1988
The monthly newsletter we published was a lot of work, but it had benefits. Most importantly, the newsletter told the members where and when our next meeting was. C/FO Atlanta met in a wide variety of locations, including private homes from Smyrna to Stone Mountain, libraries in Little Five Points and Virginia-Highlands, and even a few community rooms located, for some reason, in banks along the Buford Highway corridor, one of which is now a restaurant called “Shaking Crawfish.”
C/FO newsletter volume 2 #1-3
Assembled at first using a law firm’s then state of the art word processing software and laser printers, we later downgraded to a dot-matrix printer, markers, glue stick, and scissors. Producing the C/FO Atlanta newsletter was a crash course in graphic design and guerrilla publishing. Print runs happened wherever and whenever we could get access to somebody’s copier, and this usually meant abusing the hospitality of whoever in the club worked somewhere with a photocopier. But the newsletter was all for a good cause, documenting what the club had been up to for posterity (that’s us now) and cluing members into what was happening in the world of anime. Sometimes the news was even accurate!
your "trusted" source for anime "news"

You might even have been lucky enough to live in a town with enough of a Japanese community to support retailers that sold imported Japanese home goods, Japanese groceries, and Japanese media like magazines, books, comics, and videos. Atlanta was one of those towns, and in our part of town Satsumaya Oriental Grocery was our headquarters for Pocky, Zeta Gundam coffee candy, and rental tapes featuring Dragonball, whatever Sentai show was on the air that season (Choushinsei Flashman), Dragonar-1, Maison Ikkoku, Saint Seiya, Metaldar, City Hunter, and Red Photon Zillion, which seemed to resemble a game some members were playing on their new Sega Master Systems.
Satsumaya rental VHS
Occasionally we'd pack up our VCRs and get a hotel room at one of Atlanta’s fantasy or SF conventions like Dixie-Trek or the Atlanta Fantasy Fair, and we'd screen anime on the TV in our hotel room for our friends and whoever happened to wander in for free snacks.
Thanks to our tapes and the hunger of convention organizers for programming, by 1988 we were running the anime room at Atlanta's largest fantasy convention, the Atlanta Fantasy Fair. Most of what we screened was in Japanese without benefit of subtitles, with a smattering of off-air English dubs and a little fan subbing taking up the slack.
How many people were awake on Sunday for Cyborg 009 Legend Of The Super Galaxy? I don’t know. I can confirm that we had a full house for the Fist Of The North Star movie and Project A-Ko. That’s a room full of non-Japanese speakers watching entire films entirely in Japanese, a testament to the storytelling power of the medium.
C/FO Atlanta newsletter vol. 2 #4-7
C/FO Atlanta newsletter vol. 2 #8-11 (end)
big news for Dec. 1988
Eventually the C/FO would skid to a halt. Leadership devolved to the San Antonio club, which basically decided to game the system, set the national org up to fail, and then act surprised when it failed. Our Atlanta club let inertia decide for us; the national C/FO left us behind in its headlong rush towards oblivion and we decided our new name was going to be the "Animated Film Association" and our newsletter was going to be called “Anime-X”.
the three issues of "Anime X". Look at that great Josh Timbrook Akira cover!
The club kept going under this name for a few months, but after a few years the never-ending cycle of monthly meetings and monthly newsletters and manhandling televisions across town so a room full of slack-jawed strangers can stare at Akira proved too much for me and in early 1989 the club petered out. Was this the end of Atlanta’s anime club scene?
meet the new club, different from the old club
Absolutely not. After an eight months cooling-off period, Lloyd Carter and myself started a new anime club. This new club didn't have a newsletter, wasn't part of a larger club, and wasted no time on bylaws or elections. “Why waste a great name?” we figured, and so we dubbed the new club "Anime-X." This group lasted all the way until the early 2000s, leading to both the print "Let's Anime" and Anime Weekend Atlanta. So we must have been doing something right. More about Anime X later. In the meantime, why not haul a CRT television, a top-loading VCR, and some VHS fansubs to your local community center and start your own anime club? Tell ‘em Dave sent you!
-Dave Merrill, with special thanks to Scott Weikert, Jim Reddy, Shaun Camp, Newton Ewell, Ted Delorme, and a host of C/FO Atlanta members. You know who you are.
we'll let this pencilled-in editorial comment have the last word
Thanks for reading Let's Anime! If you enjoyed it and want to show your appreciation for what we do here as part of the Mister Kitty Dot Net world, please consider joining our Patreon!