Prefectural Earth Defense Force aka Kenritsu Chikyû Bôeigun came
out of nowhere into our anime club screenings of the late 1980s. Back then it
was all new and exciting; Prefectural High School Earth Defense Force, as we
mislabeled it, was shown with as much fanfare or anticipation as Urusei Yatsura
or Vampire Hunter D or Dirty Pair or Zeta Gundam or Macross or Madox 01 or
Bubblegum Crisis; it was all new to us.
What made PEDF stand out, even to our profoundly uneducated
eyes, was very simple; it’s plain crazy. The thing is funny in a very specific
cartoon fashion that transcends language, culture, class, creed, race, religion
or national origin. After 20 years I’m
still dropping it onto unsuspecting audiences and getting laughs; a video like
that is a rare beast indeed. Sure, it's full of specific Japanese pop-culture references,
the kind of references that fill most modern "comedy”. But here it’s a bonus, not the main
attraction; PEDF succeeds in spite of the Varan the Unbelievable sequence or
the Rainbowman aside, goofy enough without rubbing your nose in your own otaku
stink.
note: giant robot may not actually appear in video
Chikyû Bôeigun was the original title of Toho's The Mysterians, arguably the first science fiction film highlighting Japan's
flavor of mecha-infused SF - spaceships, ray guns, evil aliens, giant monsters,
robots – that we’d see parlayed into legions of rubber-suit monster films and
silver-suited giant-hero TV shows. Kenritsu Chikyû Bôeigun, on the other hand,
is the flip side of Japan’s
love of science patrols and sentai teams – a low-budget defense force financed
on a small municipal budget, composed of a failed baseball team, a foreign
exchange student, and a morally suspect faculty advisor. Luckily, their adversaries are just as goofy;
wanna-be world dominators perhaps equipped with super-scientific weapons and
legions of faceless minions, but hamstrung by melodramatic ineptitude.
1986’s Prefectural Earth Defense Force OVA was, like so many
other OAV, based on a manga: Koichiro Yasunaga’s PEDF ran in Shonen Sunday from
1983 until 1985, with a subsequent 4-volume reprint. Yasunaga’s later work
includes Kaseijin Deka (Martian Detective) and the superhero spoof Chō
Kankaku Analman, which is just as
unfortunate as it sounds. He has a fun, active anime-manga style that fits
right in with 80s Shonen Sunday, kind of a cleaner, less raggedy version of
what fellow Sunday artist Kazuhiko Shimamoto was doing in his contemporaneous
Blazing Transfer Student. Both the PEDF comic and the cartoon are infused with
an infectious sense of fun, the same kind of nonsensical goofball whack-a-doodlery
that you get in the best Urusei Yatsura or Sasuga No Sarutobi comics, infested
with nerd-culture shoutouts like chapter titles parodies of Ultra Seven episodes
or naming a major character after the composer of Godzilla’s theme music.
If you’re familiar
with the OVA, you know how the manga begins. Warned by a threatening pay-phone
call, the governor of an unnamed Kyushu
prefecture needs a defense against the world-domination plans of the Phone Pole
Team, who have decided to start small and begin their world dominating from the
vicinity of the local high school. Thus: Prefectural Earth Defense Force. Promises of a
fat expense account convince high schoolers Morita, Sukekubo, and Akiko Ifukube
to abandon their dreams of Koshien glory and instead become an Earth-defending
justice league, overseen by math teacher Roberi. But can their combined strength and
clearance-sale uniforms withstand the onslaught of lumber dynasty scion Kisoya
Chilthonian Bunzaemon Jr and his Phone Pole Team? Phone Pole tactical commander Baradagi
enlists the super ESP powers of Marker Light
– whose psychic abilities are limited to vegetables – to open the assault on
decency and good government. Yams fly thru the air and the war for mankind
begins; an ever escalating whirlwind of unguided cyborg missiles, beach
parties, flying vegetables, mohawked musclemen, faceless minions, and Party
Beams.
The Baltimore Boys bring American-style action to the prefecture
Indian exchange student and accidental 8,000 horsepower
cyborg Kami Santin escapes from the university hospital and is found by faculty
supervisor Roberi, who mistakes Santin for a drunken co-ed. Santin is duly enlisted into the PEDF, in
spite of his hatred of all things Japanese. Before this newcomer is even
properly scoped out by our nosy heroes, Baradagi arrives with the Phone Pole
Team’s top agent Scope Tsurusaki to try and talk Santin into switching teams,
resulting in missile-firing, nose-punching, house-destroying hell breaking
loose.
Masked New Year and his Party Beam strike again!
Santin becomes the focus of the Phone Pole Team’s efforts
but world domination is overshadowed by the day-to-day antics of the goofs on
both sides. Baradagi goes undercover
as a high school student named Ryuko Hara – well, okay, she actually IS a high
school student named Ryuko Hara, working part-time for the Phone Pole Team – to
create a scandal by seducing Roberi. The Phone Pole Team’s own cyborg-gal Yuko
arrives to destroy Santin, who doesn’t want to fight but whose missiles are not
always under his control. An after-hours Morita and Baradagi put aside their
day-job difference for a date. Ifukube meets her ideal, the Mohawk-sporting beefcake
Battle Japan, the PEDF is menaced by the
Japanese-language-deficient, crossdressing Baltimore Boys, and Masked New Year blasts
his Party Beam which instantly transforms any group of people into a wild New
Years party. Yuko is turned back into a
normal human, albeit of a different sex, then changed back into a girl and
cloned, while Santin also gets the Christine Jorgensen treatment.
The PEDF defeats
Glycogen X in hand-to-hand karaoke battle, Santin’s lumber exec sister Pamela arrives
to sell Santin on the glories of the Phone Pole Team, Baradagi is forced into
bicycle tofu delivery hell, and inevitably, everybody visits Los Angeles. Suddenly it’s 1985 and time for the manga
to end (apart from a doujinshi sequel). The story doesn’t end there, however; Japan was in the middle of an OAV boom and what
more deserving property could there be than Kenritsu Chikyû Bôeigun, I
ask you? None, that’s what.
psychological profile of the Prefectural Earth Defense Force and their inner desires
We join the (directed
by animation veteran Keiji “Future Boy Conan” Hayakawa) PEDF in the middle of Morita’s earthshaking super science-fiction
dream which is helpfully described in the lyrics of the rockin’ theme song by
Japanese power pop trio Johnny, Louis & Char (Johnny Yoshinaga, Luis Kabe,
and Japan’s national guitar hero Char). While Morita and Sukekubo snore, an
angry Santin escapes from the local university hospital, our prefectural
governor gets his world domination phone call, and all the pieces for
Prefectural Earth Defending fall into place. With animation talent like Urusei
Yatsura veterans Katsumi Aoshida and Shichiro Kobayashi it’s no surprise we’re
in store for UY style bonks, booms, grunts and pows as Santin’s missiles meet
Scope Tsurusaki’s Ultra Scope, milk-drinking Chilthonian plays host to the
Prefectural Governor’s cute secretary, and nobody’s safe when Santin spots
Roberi with Baradagi.
Santin has a problem with going off too soon
Before you know it,
Santin and Yuko are waking up with all-new aftermarket parts and Morita and
Ryuko/Baradagi are walking the streets hand in hand to the wistful sounds of
Johnny, Louis & Char as the credits roll.
The direct-to-video format seems perfect for titles like PEDF; the
material may not stretch as successfully into a 2-hour feature or a TV season
but as a 50 minute OVA you’re left entertained and sad there isn’t more.
Colonel Baradagi, Scope Tsurusaki, and friend
PEDF was released
on VHS, Beta, the shortlived VHD format, and Laserdisc. As much as it made
American fans laugh, it never achieved the status of fellow ’86 releases like
Guyver, MD Geist, Megazone 23 part 2, or Gall Force. However, when the North American anime boom
finally hit in the mid 2000s and everything else was getting an American
release, PEDF was always on the top of our wish list. Finally in 2006 ADV decided to take some of the money they were
throwing at that live-action Evangelion movie (how’d that work out for you?)
and spend it on releasing Prefectural Earth Defense Force as a limited edition
subtitle-only DVD, sold direct through ADV’s website.
Promotional and advertising for the release was apologetic and/or
nonexistent; news sites claimed it was of interest only to old-school die-hards
who might have seen it fansubbed back in the day and that modern audiences
would not understand all the references or the parodies, and henceforth would
not enjoy it. This is of course complete nonsense; audiences completely
unfamiliar with any sort of Japanese animation have been laughing themselves
stupid over PEDF for years, and the practically top-secret ADV release sold out in about ten minutes. Try
buying it today for less than $100. Go on, try. I’ll wait.
The cyclical nature
of history is proved anew with the story of the Prefectural Earth Defense Force,
a video that came out of nowhere, made us laugh, vanished, came again out of
nowhere, made us laugh, and again vanished. Will it ever return? Have we seen
the last of Morita, Santin, and Colonel Baradagi? The answer is on the wind, blowing
past Imazuru High School, whistling forlornly through the phone
poles.
-Dave Merrill
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9 comments:
Many years ago, PEDF was thought to be lost, the rights hopelessly tangled in some kerfluffle or another. The only subtitled version available was on VHS. I recall hearing secondhand that Right Stuf had tried to do a deal to release it in the states and hit a brick wall.
One day, some friends of mine saw that the laserdisc version had popped up on Yahoo Auctions Japan. This was a surprising occurrence, because the LD was rare as hell. Fellow we knew who worked at the Anime Jungle shop in Osaka said that it had come through the store at some point, because it was in their POS database, but he had never himself seen a copy in the flesh.
We concluded that with the aid of another friend, a capable translator and DVD author, we could do a quality fansub version. Getting the laserdisc was my job. So I said to a guy I knew in the JET program over outside Tokyo, "Hey, man, can you win me this laserdisc on Jahoo?"
He says, "How much do you want to pay?"
I says, "Get me the laserdisc."
Jahoo at the time employed an interesting feature that prevents the kind of sniping you see on eBay. If a bid came in during the final minutes of the auction, the time limit would be extended to allow for answering bids to come in. Somebody else really wanted that laserdisc. He eventually gave up, but not after a bit of a knock-down-drag-out.
The next morning my friends e-mailed and said, "Did we prevail?" I says, "We prevailed, to the tune of 46,000 yen." That was about $425 in 2003 money.
The resulting DVD version of PEDF was really quite beautiful, and saw limited screenings at several cons. Then ADV got the license after all and I felt pretty silly. But at least I can say I've paid more money for a single laserdisc than just about anyone else, save for the dudes who've shelled out for Daicon Film.
"The direct-to-video format seems perfect for titles like PEDF; the material may not stretch as successfully into a 2-hour feature or a TV season but as a 50 minute OVA you’re left entertained and sad there isn’t more."
Unlike today were it would be stretched out to a 13 episode show and you start getting sick of it halfway.
Absolutely love the PEDF OVA. Some really nice fluid animation, especially a particular panning shot with the characters running from a barrage of rockets. Pair that with an excellent soundtrack for quite a memorable experience. It seems I always come back to the end credits, as the characters walk innocently through the streets while a man croons away. A real feel-good moment and a perfect ending to a wonderful OVA.
I completely love PEDF. I am shamed to hear a dojin continuation exists and I don't have it.
Yeah, ADV's release is just another of those "WTF?! Why don't you want to make money!" moments where they just shoot themselves in the foot, adjust their aim and shoot the foot again. Sure, it would be of limited interest but dang, advertise the damn thing, keep it in print and maybe it'll do better than you think!
I recall quite a kerfluffle when it was originally thought it was to be a wide release and the sudden, frantic, insane hemming and hawing that it was meant as a ADV site only release, and yet Robert's Anime Corner DID get copies for sale. Which is how Jerry and I got our copies.
I find Baradagi supernaturally hawt. There. I said it.
PEDF really missed its chance in North America, I think. It would've cleaned house in the late 1990s, when OVAs still made up the bulk of licenses and new fans were passing around short comedies like Dragon Half and Elf Princess Rane. Once the market and the fandom shifted toward longer series, it was harder for those old OVAs to stand out. By then PEDF also looked a little tame when compared to its more obnoxious descendant Excel Saga.
I enjoyed it, of course. I begged ADV for a screener, wrote up a piece for Anime Insider, and then watched it get cut in favor of something on Desert Punk or MAR. I ended up sneaking in a PEDF blurb somewhere. I hope the kids noticed.
Could Discotek "possibly" one day get this. That seems to be the "go to" company that nerds look at as their only hope in getting 'such and such' anime.
And this sounds like something I would enjoy, thanks for sharing Dave. I seem to kinda remember this title in the past few years.
Such a rush of nostalgia, I find myself pining for those days when you could find OAV's like this - little two and three episoders and delightful one-offs like PEDF.
I was initally skeptical about watching PEDF in the first place, way back when on VHS because some people I talked with had given me the impression PEDF was some sort of justly obscure Odious Abomination Vomit or something - but I was skeptical considering I'd heard good things about it as well, and gosh. The animation is lovely, the humor is zany without being "zany" if you catch my drift, the soundtrack is great and it's honestly a shame more people don't know about it, even now. I lost track of my VHS copy years ago and that made me understandably sad.
Nice blog post, keep it up bro :)
I admit to being an utter rat bastard. I got my DVD copy for free. For reasons totally unknown, ADV handed over one copy to be shown at A-Kon when they released it, & when the staff heads were giving away the "do not return" screeners at the end of the con, I grabbed it.
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